NAGARJUNA THE GHOST MOVIE REVIEW
Director Praveen Sattaru, who was impressed with the huge action thriller like PSV Garuda Vega, has made the movie The Ghost with Tollywood King Nagarjuna. An action, emotional, and family drama, the film hit the screens on October 5th as a gift for Dussehra. Did the movie live up to the expectations raised by the teasers and trailers before the release of the movie? Did Praveen Sattaru get a huge success like PSV Garuda Vega? If we go to the matters.
| Director | Praveen Sattaru |
|---|---|
| Story | Praveen Sattaru |
| Screenplay | Abburi Ravi |
| Dialogue | NA |
| Cinematography | Mukesh G |
| Music | Bharatt - Saurabh, Mark K Robin |
| Producer | Narayan Das K.Narang, Sharath Marar, Pushkar Ram Mohan Rao |
| Production Company | NA |
| Distributor | NA |
| Music Label | NA |
| Lyrics | Krishna Kanth, Krishna Madineni |
| Singers | Kapil Kapilan, Ramya Behara |
| Art Direction | Brahma Kadali |
| Stunt Choreography | Dinesh Subbarayan, Kecha |
| Dance Choreography | NA |
| VFX | Venkateshwer A, Vijay Gopal K |
| Costume Design | Pallavi Singh |
What is the story of The Ghost?
Vikram (Nagarjuna) works in Dubai with his girlfriend Priya (Sonal Chauhan). Vikram, offended by an incident in a mission to defeat the mafia, stays away from his girlfriend and job. Vikram, who works as a freelancer on missions to thwart mafia activities, gets a call from Anu (Gul Panag). Anu says that she and her daughter Aditi (Anikha Surendran) are in danger.
Twists in The Ghost Why did Vikram resign from his job at Interpol?
Why is Vikram away from their lover Priya? What is Anu's relation to Vikram? What kind of threat did Aditi face from whom? What risk did Vikram take to save Anu and Aditi? The story of the movie The Ghost is the answer to the question of why Vikram got the name The Ghost. Praveen Sattaru Taking Director Praveen Sattaru's action-oriented family drama point is good. But one gets the feeling that emotions and action are not perfectly mixed. But the way the action scenes are shot is good with high standards. Stylish making, Nagarjuna and Sonal Chauhan's look design are impressive. He has created a good environment for an action movie. But there seems to be some hesitancy when it comes to delivering the strong scenes that a good action movie should. It can be said that he is impressed as a stylish maker with action and thriller genres.
Performance of The Ghost Movie
Nag, Sonal Chauhan Performance Nagarjuna has an impressive track record of acting in action, romantic, and family emotions films in Tollywood. But the attempts at nagging in a full-action genre are interesting. But it seems to be staying away from its target due to a lack of strong content. In the case of The Ghost, it can be said that he tried to please in a role with many variations as an Interpol officer, a lover, and a person who is desperate for his family. So far we have seen Sonal Chauhan as a romantic heroine. But with the action episodes, she did in this movie, there was a chance to see a new Sonal.
About the technical aspects Coming to the technical aspects. Mukesh ji's performance as a cinematographer is good. The music provided by Bharat and Saurabh is good. Especially the background score elevated many scenes. Editing by Dharmendra Kakara is good. The production values followed by Sunil Narang, Rammohan Rao, and Sarath Marar are good. Making it a stylish action thriller shows their passion for the film.
Finally about The Ghost
The Ghost is a family and emotional drama with action elements. All the elements that a thriller should have come together well. But if the family drama had been made as a complete emotional drama, it would have turned into a stylish action thriller. The business drama is not able to connect with the audience in an interesting way. It would definitely have been a good action thriller if the story and narratives had been worked on more. The commercial stamina of this film will be known if it stays at the box office for a few days. Those who love action and thriller movies are likely to like The Ghost.
